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Ode to the Left Organ
Bereft.
Hugged artifact in thrown away swiss roll
of old carpet. Married ground thread pile of warp
and weft and organ backbone. Curl of lost map,
past tenant footpath of my old duplex
where I paid $550 dollars for five whole years
and on the last day destroyed a Hammond organ with a hatchet
without anyone finding out. Once occupied by sound
now carpet of flat keys, splinters of silent memento.
One long conch shell of divorce waiting to be exhumed.
Dear betrayed housemate, I carry this spontaneous crime.
Even now, I think— I had a truck.
I could have found a man for us.
Women have been head porters for centuries
but I couldn’t even spare the mind to save her.
Makeshift ramp her, elbow grease and hip bump her
into the cargo bed, back to the Goodwill from which she came.
I wasn’t getting my security deposit. The least I could have done was leave
her alone in the living room like I had the whole time we were together.
Twice a week now I think of how knife tip cracked her spine,
hinges and layers of wood released like slated fingers flowering
to reveal a decommissioned robot brain. Woofers like ear drums,
bony labyrinths where fear hums so long. Alone in an empty house I dismantled
cochlea motherboards, her red and blue vestibule wiring. Gathered
keys like tiny bones I considered saving for earrings and art.
Splayed murder and me, a musician, spoiled as an apostate kneeling
at the altar one last time. The sun set in silence while I chopped her down
to wood in the dark. Raised her pedalboard ribcage with bloodied maid hands
above my head like a well done surgery. Bowtied trashbags everywhere.
I rubbed my fingers against the carpet— searching for evident strands,
her abandoned piano hair.
Samantha Renee Ratcliffe is a poet and songwriter from Kentucky. Her work appears in Yearling, Pegasus, White Wall Review, Untelling, as well as numerous Appalachian anthologies. Find out more about her writing community and reading series Hill Writers Collective at SamanathaRatcliffe.com